Elisa Zadi/The pictorial act as a search for truth and beauty

by Romina Ciulli and Carole Dazzi

Bruciare illusioni, PicNic (2023)

The portrait, and the self-portrait, are the forms with which the artist Elisa Zadi investigates the bond between man and nature. A research that ranges from painting to installation, from performance to poetry, and that through an intimate and introspective path focuses on issues related to femininity, identity, and knowledge. In her works the human figure stands out in all its frank and refined frontality, giving life to a narrative that is not only pictorial, but above all anthropological and existential. Thus emerges a spontaneous and suggestive creative act, often represented through the fragmented idea of polyptychs, where the images seem to make use of a symbolic connotation to reflect on the complexity and fleetingness of everyday reality and human relationships. Read more

Who’s next?… Franz Sedlaceck

by Valentina Biondini, art and literature amateur

La biblioteca, 1939

What is the definition of irony for a calamity visionary as I have been defined? Dying? Or worse, disappearing mysteriously in one of the military campaigns conducted during what was, in fact, one of the bloodiest calamities in human history, the Second World War? But let’s go in order. My name is Franz Sedlacek and, rightly or wrongly, I was one of the main Austrian artists active between the two world wars.

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Who’s next?… Maria Blanchard

by Valentina Biondini, art and literature amateur

Woman with fan

My name is María Gutiérrez-Cueto y Blanchard, but you can simply call me Maria Blanchard and, although I am unknown to most, thanks to my talent I was one of the protagonists of the avant-garde.

I was born on March 6, 1881 in Santander in the north of Spain and my childhood was painful, in my body and spirit. In fact, I came into the world with a spinal malformation that forced me to walk with a cane since I was a child, which among my schoolmates earned me the unflattering nickname of bruja, that is witch. Read more

Who’s next?… Arturo Nathan

by Valentina Biondini, art and literature amateur

Solitudine, 1930

If you ask Who’s Next? I answer that my name is Arturo Nathan and I was an Italian painter of Jewish origin. For the themes I deal with in my painting I have been defined as “the solitary contemplator”, precisely because of the poignant way in which I was able to transpose the contemplation of the end of things onto the canvas. Here’s my story.. Read more

Who’s next?… Rosa Rosà

by Valentina Biondini, art and literature amateur

Illustrazione da “Le mille e una notte”

The column “Who’s Next?” is renewed, not in substance, but in form. In fact, we will continue to write about unjustly forgotten protagonists of Italian art, culture and literature, but we will do it from another angle, that is, by narrating their story in first person, through a sort of fictional story or memoir, this time dedicated to the eclectic Rosa Rosà, writer, illustrator and futurist painter active above all in the 10s and 20s of the 20th century.
So let her voice guide us…
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