Why not?
by Romina Ciulli and Carole Dazzi
Savina Capecci’s artistic universe is made up of bright and powerful colours, and tells stories related to contemporary society through an ironic, if not downright unreal, perspective. Indeed, in her work the protagonists seem to live a detached existence within an imaginary that always remains suspended between two dimensions: the experiential and the natural. Read more
by Romina Ciulli & Carole Dazzi
Sometimes a photograph taken with naturalness is enough to show the hidden side of reality or emotions, where the images, even if not very defined, appear incredibly sharp and engaging. This is what happens with the pinhole photography, one of the first techniques used in the photography, which doesn’t use lenses or objectives but, through a small pinhole, it generates images where gaze regains possession of a sensory tale that is extraordinary every time. The American photographer Sharon Harris uses this technique, and her photographs depict ethereal, sensual female figures, captured in surreal atmospheres and eccentric attitudes. Read more
by Romina Ciulli e Carole Dazzi
The power of Nature to self-generate and dominate the human action, represents one of the main subjects dealt by Francesca Romana Pinzari in her artistic path. The artist uses a varied series of media including painting, sculpture, performance, video and installations in order to examine concepts such as the individual and collective memory, and reveal intimate and, to a certain extent, ancestral stories.
by Romina Ciulli e Carole Dazzi
The value of the photographic image reviewed through the abstract language of collage. The works of the British artist Hannah Hughes consist of assembled and deconstructed parts with the aim to examine in depth the meaning of a modern visual culture that seems more than ever fragmented and artificial. Using materials extracted from books, newspapers, advertising images and even catalogues of auctions, Hughes’s work actually tries to recreate new specular shapes of just as many reproduced images, but that they similarly find a concrete position in the physical world. Read more