Why not?
by Margaret Sgarra, contemporary art curator
Roberta Bertazzini, is a visual artist with a predilection for installation-based works, she creates multi-material pieces which articulate in space and lend themselves to multiple interpretations. Fundamental is the relationship between structure and concept, expression and form. Aspects that, in most cases, dialogue with the user. So that, the viewer acquires a prominent role within the creative process, while remaining anonymous. Read more
by Romina Ciulli and Carole Dazzi
The portrait, and the self-portrait, are the forms with which the artist Elisa Zadi investigates the bond between man and nature. A research that ranges from painting to installation, from performance to poetry, and that through an intimate and introspective path focuses on issues related to femininity, identity, and knowledge. In her works the human figure stands out in all its frank and refined frontality, giving life to a narrative that is not only pictorial, but above all anthropological and existential. Thus emerges a spontaneous and suggestive creative act, often represented through the fragmented idea of polyptychs, where the images seem to make use of a symbolic connotation to reflect on the complexity and fleetingness of everyday reality and human relationships. Read more
by Margaret Sgarra, contemporary art curator
Cristina Barbieri is a visual artist born in Reggio Emilia, city where she graduated as a Master of Arts in the”Goldsmithing-Metals” section, and where she obtained a specialization in Marble Sculpture. Starting from 2022 she began to be interested in bioart and biodiversity. This passion led her to undertake an investigation towards mycology, which today is a central issue of her research and artistic poetic.
by Valentina Biondini, art and literature amateur
What is the definition of irony for a calamity visionary as I have been defined? Dying? Or worse, disappearing mysteriously in one of the military campaigns conducted during what was, in fact, one of the bloodiest calamities in human history, the Second World War? But let’s go in order. My name is Franz Sedlacek and, rightly or wrongly, I was one of the main Austrian artists active between the two world wars.
by Romina Ciulli e Carole Dazzi
Susan Sontag stated in her essay On Photography (1977): “No one has ever discovered ugliness through photographs. But many, through photographs, have discovered beauty”. In fact, photographic art-fact often invites us not just to reflect, but above all to glimpse a power in the visual image capable of arousing deep emotional reactions within us. As if, suddenly, through that shot, our gaze was able to see something that goes beyond custom, pushing us further. This is what happens in the book “Sulle gambe” by Donatella Ferrini, currently on pre-order on bookabook in a crowdfunding campain with the aim of publication, in which her young protagonist changes the painful approach to the vicissitudes of his life precisely after observing a picture. Let’s talk with the writer. Read more