Author: thefemalecurators

When art releases life/Donatella Ferrini and her novel Sulle Gambe

thefemalecurators

by Romina Ciulli e Carole Dazzi

Susan Sontag stated in her essay On Photography (1977): “No one has ever discovered ugliness through photographs. But many, through photographs, have discovered beauty”. In fact, photographic art-fact often invites us not just to reflect, but above all to glimpse a power in the visual image capable of arousing deep emotional reactions within us. As if, suddenly, through that shot, our gaze was able to see something that goes beyond custom, pushing us further. This is what happens in the book “Sulle gambe” by Donatella Ferrini, currently on pre-order on bookabook in a crowdfunding campain with the aim of publication, in which her young protagonist changes the painful approach to the vicissitudes of his life precisely after observing a picture. Let’s talk with the writer. Read more →

Franco Nicolosi/Sculpture is an immaterial body

thefemalecurators

by Romina Ciulli e Carole Dazzi

Riflessioni di Superficie, 2002

The works of the artist Franco Nicolosi come from a deep intimate reflection. A sort of continuous sensorial interconnection where matter translates into an unexpected creative process, albeit meditative. An experiential practice, characterized by forms with unmistakable, sinuous and rhythmic traits. Forms that seem suspended between past and present, but that open to a constant and lasting dialogue. Here then are vases and drawings made with different materials, including clay, graphite, wood or ceramic. And, although each work follows a different specific path, they all eventually intertwine again, triggering reflections on concepts such as duplicity, symbolism, awareness and transformation. Read more →

Daniela Daz Moretti/Art on the border between nostalgia and new identities

thefemalecurators

by Carole Dazzi and Romina Ciulli

Liminale

Daniela Daz Moretti, sculptor, painter, is a multifaceted artist whose works shape a personal existential journey, making her deepest and most intimate side manifest. Above all, it is through the modeling of ceramics, her medium of choice, that Daz accompanies us along this growth path, crossing themes such as childhood and adulthood, the existential meaning of memory, the allegorical border between inner world and external reality. Read more →

Open dialogues: IroPeinto

thefemalecurators

by Margaret Sgarra, contemporary art curator

Etere

IroPeinto, stage name of Veronica Larotonda, is a visual artist who works using different pictorial languages, such as painting on water, the Ebrù technique and oil connected to metals. The focus of her work is centered on form, which becomes something incomprehensible and elusive, at times elusive. Furthermore, the relationship with dreams is fundamental, as it proves to be a field of investigation in correlation with the unconscious. She currently lives and works in Milan. Read more →

Who’s next?… Maria Blanchard

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by Valentina Biondini, art and literature amateur

Woman with fan

My name is María Gutiérrez-Cueto y Blanchard, but you can simply call me Maria Blanchard and, although I am unknown to most, thanks to my talent I was one of the protagonists of the avant-garde.

I was born on March 6, 1881 in Santander in the north of Spain and my childhood was painful, in my body and spirit. In fact, I came into the world with a spinal malformation that forced me to walk with a cane since I was a child, which among my schoolmates earned me the unflattering nickname of bruja, that is witch. Read more →